Review: Amazon’s ‘The Boys’ Season 2 Is An Explodingly Good Time


In season 2 of the Amazon hit arrangement, it’s the same old thing for The Boys, and by nothing new, I mean, obviously, being miserably outmatched by Vought and their superheroes, however taking them on at any rate.

In view of the funnies by Dynamite Entertainment and made for TV by Eric Kripke, The Boys, in the event that you haven’t yet observed it, takes a more pessimistic, reasonable way to deal with what might things resemble if superheroes truly existed. The appropriate response is that they would be possessed by an immense enterprise, and promoted and commoditized to make gigantic cans of cash, and they, and the individuals who own them, would have an excessive amount of intensity which would give them permit to regularly do anything they desire.

While The Boys follows these superheroes, it all the more significantly follows the little however crude gathering of nobodies who’ve chosen to bring them down – Billy Butcher (Karl Urban), Hughie Campbell (Jack Quaid), Mother’s Milk (Laz Alonso), Frenchie (Tomer Capon), and Kimiko (Karen Fukuhara), with a help this season from the popular Colonel Mallory (Laila Robins). Bringing down supes is no simple assignment, and that makes season 2 the same amount of a rollercoaster ride as season 1, this time total with detonating heads. The initial three scenes of season 2 are out today, with new scenes dropping each Friday (every one of the eight scenes of the period were delivered to the press). Essentially, on the off chance that you appreciated season 1, at that point season 2 should work for you as well.

Season 1 ended on the massive cliffhanger that Becca (One Tree Hill’s Shantel VanSanten) is alive, and living with her son, who is also Homelander’s (Antony Starr) son. It takes an episode or two for the series to reveal exactly what happened after Homelander touched down in Becca’s white picket fenced yard, with Butcher in tow, but we do find out everything, and the deal with Becca becomes a big part of the season. Butcher, for his part, is just as obsessed with getting Becca back as ever, but don’t worry, it doesn’t take him long to meet back up with the rest of The Boys to help them try to take down the supes. Homelander, meanwhile, is invested in the idea of having a son, which makes him more terrifying than ever.

What is going on with The Boys? Well, their number has grown. Kimiko is officially part of the group. Even MM heartwarmingly says in an episode that “Kimiko’s one of us,” showing that she’s no longer just Frenchie’s adopted lost puppy. We always knew Kimiko was a Spice Girl. Starlight (Erin Moriarty) also becomes more allied with the team this season. While it’s normally antithetical for The Boys to work with a supe, Annie shows that she can be trusted, and is more committed to stopping Vought than ever. It also doesn’t hurt to have someone with superpowers on your side.

Speaking of supes, there’s a new member of The Seven, and her name is Stormfront (Aya Cash). At first glance, she appears to be a woke, media savvy, badass that doesn’t mind calling out Vought in public, and saying what she truly thinks, even challenging Homelander. (I heartily agreed when Stormfront bemoaned the lack of pockets in the women’s super-suits as a product of the patriarchy.) But Stormfront is a lot more insidious than she looks, and we soon learn that she has her own agenda and a dark past, which isn’t really surprising is it?

One supe, however, who proves herself to be not awful this season, is Queen Maeve (Dominique McElligott). We already knew that Maeve had a heart from when she defended Starlight to Homelander last season, but this season we start to see who Maeve is underneath the jaded Vought veneer. She starts to pursue what she really wants, and not just what Vought and Homelander want her do. Her humanity shines through this season, and makes us root for her more than ever.

I did lose focus during the Deep (Gossip Girl’s Chace Crawford) rehabilitation scenes, as Deep joins a scientology-type church that promises to help him get back in with The Seven. If there ever was a character that the show could drop, it’s Deep, because I honestly don’t care about his sad life, or his efforts to get back on top.

There are also some things about the season that still feel like a mystery to me, though the show heavily hints that they will be covered in season 3. The end of the season, meanwhile, feels a bit off to me, as its unclear where a lot of the characters stand, or what The Boys’ next moves will be. While there’s usually always a new mission looming, a new urgent threat to address for our scrappy team, the season ends without one, and makes me worried about whether season 3 will be as a cohesive as the show has been so far, or if it will be all over the place.

Overall, season 2 works. It’s just as gory, cynical, and action-packed as season 1, but with many added twists. The show goes so much deeper on every character’s past, and why they are the way they are. (Honestly the only character who still remains a monolith is Black Noir.) The progress The Boys make is very one-step-forward-two-steps back, which is the only thing that makes sense when you’re trying to take down a superhero backed corporation. And while it deals with some serious issues, its comedic and fully over-the-top, absurdist tone keeps it from being depressing. It works as well as ever as a skewering critique of capitalism, and also a raucously good time.


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